This project is maintained by leo989
In this page are shown three home objects: "Macaone table" of Alessandro Mendini, "Carlton room divider" of Ettore Sottsass and "Coffeepot 9090" of Richard Sapper
Alessandro Mendini (born 16 August 1931 in Milan) is an Italian designer and architect. He played an important part in the development of Italian design. He also worked, aside from his artistic career, for Casabella, Modo and Domus magazines. His design has been characterized by his strong interest in mixing different cultures and different forms of expression; he creates graphics, furniture, interiors, paintings and architectures and wrote several articles and books; he is also renowned as an enthusiastic member of jury in architectural competition for young designers. He also teaches at the University of Milan. In the seventies he was one of the main personalities of the Radical design movement. In 1979 he joined the Studio Alchimia as a partner and here he worked with Ettore Sottsass and Michele De Lucchi. In 1982 he co-founded Domus Academy, the first postgraduate design school. As architect, he designed several buildings; for example the Alessi residence in Omegna, Italy; the theater complex "Teatrino della Bicchieraia" in the Tuscan city of Arezzo; the Forum Museum of Omegna, a memorial tower in Hiroshima, Japan; the Groninger Museum in The Netherlands and the Arosa Casino in Switzerland.
The Macaone table by Alessandro Mendini is a reinterpretation of the Italian 1950s interior design. Especially the shape of the legs is typical for that period. As a contradiction to the 50s shape, Mendini uses the colours of the 80s which result in a really unique table that with no doubt belongs to the category "eyecatcher".
The 3D model of the Macaone table is composed by four colored block. Each block is composed by three parts:
To design this part I utilized BEZIER function with different selector: S0 to create every profile curves and S1 to create every surface.
To design this part I utilized NUBS function to create the two upper profile curves and BEZIER function with selector S0 to create the others profile curves.
To design this part I utilized BEZIER funtion with S0 selector to create a profile curves, with S1 selector to create the surface and with S2 selector to solidify the part.
Ettore Sottsass (14 September 1917 – 31 December 2007) was an Italian architect and designer of the late 20th century. His body of designs included furniture, jewelry, glass, lighting and office machine design. Sottsass was born on 14 September 1917 in Innsbruck, Austria, and grew up in Milan, where his father was an architect. He was educated at the Politecnico di Torino in Turin and graduated in 1939 with a degree in architecture. He served in the Italian military and spent much of World War II in a concentration camp in Yugoslavia. After returning home in 1947, he set up his own architectural and industrial design studio in Milan. In 1959 Sottsass began working as a design consultant for Olivetti, designing office equipment, typewriters and furniture. Throughout the 1960s, Sottsass traveled in the US and India and designed more products for Olivetti culminating in the bright red plastic portable Valentine typewriter in 1969, which became a fashion accessory. While continuing to design for Olivetti in the 1960s, Sottsass developed a range of objects which were expressions of his personal experiences traveling in the United States and India. These objects included large altar-like ceramic sculptures and his "Superboxes"; radical sculptural gestures presented within a context of consumer product, as conceptual statement. Covered in bold and colorful, simulated custom laminates, they were precursors to Memphis, a movement which came more than a decade later. In 1981, Sottsass and an international group of young architects and designers, came together to form the Memphis Group. Memphis was launched with a collection of 40 pieces of furniture, ceramics, lighting, glass and textiles which featured fluorescent colors, slick surfaces, intentionally lop-sided shapes and squiggly laminate patterns. The group's colourful, ironic pieces were hailed as one of the most characteristic examples of Post-modernism in design and the arts. Whilst the Memphis movement in the eighties attracted enormous attention around the world for its energy and flamboyance, Ettore Sottsass was simultaneously assembling a major design consultancy which he named Sottsass Associati. The studio was established in 1980 and gave the possibility to build architecture on a substantial scale as well as to design for large international industries. Sottsass Associati, primarily an architectural practice, also designed elaborate stores and showrooms for Esprit, identities for Alessi, exhibitions, interiors, consumer electronics in Japan and furniture of all kinds. The studio was based on the cultural guidance of Ettore Sottsass and the work conducted by its many young associates, whom over the years often left to open their own studios. Sottsass Associati are presently based in London and Milan and continue to sustain the work, philosophy and culture of the studio.
Carlton room divider, designed in 1981 by Ettore Sottsass, in wood and plastic laminate. The vivid colors and seemingly random interplay of solids and voids suggest avant-garde painting and sculpture. Limited edition numbered and stamped.
The 3D model of the Carlton room divider is composed by two component: the principal structure and the others elemnts. Each elment is a single or a group of geometric colored block.
This part is composed by only orizzontal or vertical elemnts. To design this part I utilized CUBOID function to create all element and T function to build the whole structure.
Richard Sapper, born 1932 in Munich, is a German industrial designer based in Milan, Italy. He is considered one of the most important designers of his generation, his products typically featuring a combination of technical innovation, simplicity of form and an element of wit and surprise. He has received numerous international design awards, including 10 prestigious Compasso d'Oro awards and the Raymond Loewy Foundation's Lucky Strike award. After beginning as a designer in the styling department at Mercedes-Benz, Sapper relocated to Milan in 1958, where he initially joined the offices of architect Gio Ponti and subsequently the design department of La Rinascente. The pair were hired in 1959 as consultants to Brionvega, an Italian company trying to produce well-designed electronics that would compete with products manufactured in Japan and Germany. Upon starting his own independent studio in 1959, Sapper designed the Static table clock for Lorenz, which won him the first Compasso d'Oro prize and is still in production today. In 1972 Sapper designed the iconic Tizio lamp for Artemide, one of the first desk lamps using halogen bulbs with low-voltage current conducting arms to eliminate the need for wires. The Tizio remains one of the best selling lamps ever produced. In 1978 Alessi commissioned Sapper with the first product in a long series to come, the stove-top espresso maker 9090. It was followed, amongst other products, by the two-note whistling water kettle Bollitore in 1984, the Bandung teapot in 1990, the Coban espresso machine in 1997, the cheese grater Todo in 2006 and the Cintura di Orione cookware series in 1986 and 2009, conceived with the collaboration of renowned chefs such as Roger Verge, Pierre and Michel Troisgros, and Alain Chapel. Throughout his career, Sapper devoted great attention to transportation issues. He worked with Fiat on experimental cars, especially on pneumatic bumper systems, and with Pirelli on the development of pneumatic structures. In 1972 he formed with architect Gae Aulenti a study group for the development of new urban transportation systems, a theme which he pursued further for an exhibition at the XVI Triennale in Milan in 1979 and which included the design of a bus for Fiat that enabled passengers to stow their bicycles in a rack. His research culminated with the design of the Zoombike (no longer in production), a lightweight bicycle designed with aircraft technology to achieve the required strength and speed acceleration, which can fold as quickly and simply as an umbrella and easily fit into a car trunk.
Six-cup espresso coffee maker, in 18/10 stainless steel with cast iron handle. The 9090 isn't just the first espresso coffee maker in Alessi's history: it was also Alessi's first object for the kitchen after the 1930s, the first of Alessi's many Compasso d'Oro awards (1979), Alessi's first object to be inducted into the Permanent Design Collection at the New York MOMA, and of course it's the best-loved Alessi coffee maker bar none, as well as Alessi's first "amphibious object", i.e. it is for kitchen use, but with its high design quality it can also be brought directly to the table.
The 3D model of the Coffeepot 9090 is composed by three parts:
To design this part I utilized BEZIER function with S0 selector to generate the profile curve and then I created the whole structure by ROTATION_SURFACE function.
To design this part I utilized BEZIER function with S0 selector to generate the profile curve and then I created the whole structure by ROTATION_SURFACE function.
To design this part I utilized BEZIER funtion with S0 selector to create a profile curves, with S1 selector to create the surface and with S2 selector to solidify the part.